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Shure KSM141/SL | Dual Pattern Condenser Microphone (Stereo)
Shure KSM141/SL | Dual Pattern Condenser Microphone (Stereo)

Retail Price: $1,088.00
Our Price: $899.00
You save $189.00!        

Availability: Usually Ships in 2 to 3 Business Days

Shure KSM141/SL - Dual Pattern Condenser Microphone (Stereo)

  • Stereo pair of KSM141/SL with stereo mic adapter
  • Mechanical polar pattern switch for cardioid and true omnidirectional polar patterns
  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response
  • Class A, discrete, transformerless preamplifier
  • Premium electronic components, including gold-plated internal and external connectors
  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
  • Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels
  • Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect

The KSM141/SL is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction.

Designed for studio use, yet rugged enough for live applications, the KSM141/SL can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.

Performance Characteristics
  • Extended frequency response
  • Low self-noise
  • Exceptional reproduction of low-frequency sounds
  • Can withstand high sound pressure levels (SPL)
  • High output level No crossover distortion
  • Uniform polar response
  • Superior common mode rejection and suppression of radio frequency interference
Some typical applications for the KSM141/SL are listed below. Microphone use, however, is a matter of personal taste. The KSM141/SL may be used for a variety of applications other than those listed.
  • Acoustic instruments -- such as piano, guitar, drums, percussion, strings
  • Wind instruments -- brass and woodwind Low frequency instruments -- such as double bass, electric bass, kick drum
  • Overhead miking -- drums or percussion
  • Ensembles -- choral or orchestral
  • Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.

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