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  Home > Recording > Microphones > Condenser Microphones >

Lauten LS-208 & LS-308 | Large Diaphragm Condenser Mic Bundle
Lauten LS-208 & LS-308 | Large Diaphragm Condenser Mic Bundle


 
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Retail Price: $1,698.00
Regular Price: $1,098.00
Bundle Price: $999.00
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Lauten LS-208 & LS-308 | Large Diaphragm Condenser Mic Bundle

  • This is a bundle of LS-208 and LS-308 large diaphragm condenser microphones
  • Both mics have full 120dB (135dB total) of dynamic range
  • Wide frequency response and studio quality sound
  • Excellent off-axis sound rejection
  • Independent 2-stage low & high-cut filters
  • Internally shock mounted pressure gradient condenser element

LS-208

The LS-208 features a wide frequency response with a full 120dB of dynamic range and 135dB of SPL handling without the need for attenuation. The excellent off-axis rejection makes the LS-208 perfect for focusing on the sound source while reducing bleed in lively environments. Constructed from high-quality components and outfitted with frequency shaping high and low-cut filters, the LS-208 comes with a spider shock mount great for broadcast, a hard mount for tight spots, a foam windscreen to protect from plosives, and a rugged road case housing all these accessories.

STUDIO QUALITY ON RADIO & STAGE
The LS-208 is a professional front-address large-diaphragm condenser microphone designed for studio, live, broadcast recording and sound reinforcement. The LS-208 brings the brilliance and clarity of high-end studio microphones and combines it with the handling capabilities of a dynamic microphone.

BRILLIANT RECORDINGS
The LS-208 does not require pre-attenuation but can handle 135dB SPL due to its circuit design. Highly unique for a microphone of its type is its ability to capture a full 120db of dynamic range without the use of internal or external pre-attenuation. This gives engineers the ability to capture brilliant recordings of highly dynamic instruments and environments without sacrificing sound quality.

EXCELLENT OFF-AXIS REJECTION
The LS-208 also features excellent off-axis rejection. It will provide excellent rejection of off-axis voices, instruments, crowds, etc., making it great for live radio broadcast and podcasts, or for multi-instrument, live-studio and on-stage recording or sound reinforcement.

LS-308

The Lauten LS-308 is a noise rejecting, high-dynamic range microphone to be used as a problem solver in challenging recording situations when isolation is needed but difficult to achieve.

Designed for use in studio, broadcast, and sound reinforcement environments when sources are in very close proximity and isolation of those sources is difficult; for example, a small commentators booth with multiple commentators, or rejecting drums from a guitar amp on a tight stage. The LS-308 is a large-diaphragm condenser microphone featuring 270 degrees of off-axis frequency rejection combined with ultra-high dynamic range. Constructed from high-quality components and outfitted with frequency shaping high and low-cut filters, the LS-308 offers excellent handling capabilities. It includes two different mounting options, a foam windscreen, and a road case.

270 DEGREES OF REJECTION
The LS-308 offers 270 degrees of side and rear frequency rejection reducing nearby sound by up to 25dB. The rejection is achieved with Lauten Audiosí unique dual, large-diaphragm pressure gradient transducer element in combination with its specially designed circuit.

CLOSE PROXIMITY ENVIRONMENTS
The LS-308 is intended for use in environments where there are multiple sources in close proximity, for example, small live rooms with multiple musicians playing, close-quarter broadcast commentary, or when the rejection of other instruments or crowds live on-stage or in sound reinforcement is desired.

NO ATTENUATOR NEEDED

The LS-308 does not require pre-attenuation and can handle 135 dB+ of SPL. The circuit also allows for an ultra-wide 120 db of dynamic range. These features give engineers the ability to capture high dynamic sources and in noisy environments.

INDEPENDENT FILTERS
The Independent, multi-stage, high and low-cut filters help engineers balance recordings at the microphone and aid in successfully capturing the performance reducing the need for mixing. The 2-stage low-cut aids in reducing low-end rumble, muddiness, and proximity effect. The 2-stage high-cut helps tame bright instruments and high frequencies.


For more information on this or any other Lauten Audio product, visit www.lautenaudio.com.

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